Falling in one of the greatest – if not the greatest – era of Avengers stories, coming on the heels of “The Korvac Saga” and kicking off the Chthon story arc, Avengers #185 is a superb, striking cover.

From its earliest days as a crowdfunded comic, Pop Kill has had tremendous appeal. The creative team, co-writer and cover artist Dave Johnson, co-writer Jimmy Palmiotti, and artist Juan Satacruz all have their well-earned credentials, and this is them at the tops of their respective forms

In the aftermath of Crisis on Infinite Earths, the Legends mini-series further established DC’s new single universe and reintroduced the Charlton superheroes that DC Comics had acquired as part of it. Ted Kord, the second Blue Beetle, was part of that.

Included in this massive hardcover – the thickets volume in this series to date – are also Avengers-related issues such as Super-Villain Team-Up #9, Marvel Two-In-One Annual #2, Marvel Premiere #35, #36, and #37 (3-D Man), and #49 (The Falcon), What If? #3 (Iron Avengers) and #9 (1950s Avengers) and material from Marvel Tales #100 (Hawkeye and the Two-Gun Kid) and Marvel Treasury Edition #13.

Daniel Wise is a former police detective in a near-future Los Angeles, a city that has been victimized by terrorists who set off an EMP (Electro Magnetic Pulse) and rendered the city without power. Months after the incident, electricity still won’t work in the affected area. Horses and walking are the preferred modes of transportation, lighting is by candles or sunlight, and much of the region has plunged into looting. Now the mayor has been kidnapped and Wise finds himself in the middle of it.

Writer Mark Evanier and Steve Rude have once again teamed up, this time for a Space Ghost one-shot at Comico.

The team consisted of Woo, Namora, the Human Robot, Marvel Boy, Gorilla Man, and Venus. One of the main reasons this collected edition is so cool, is that it also includes the first appearances of these characters from the pages of Marvel Mystery Comics #82, Yellow Claw #1, Venus #1, Menace #11, Men’s Adventures #26, and Marvel Boy #1, all gloriously restored. The beautiful rendition of Yellow Claw #1 alone is worth the price of admission.

Under the care of writer Josh Trujillo and artist Andrea Di Vito, two very different worlds have collided in the poorly titled but very nicely executed (thus far) Planet of the Apes versus Fantastic Four.

Scene of the Crime #1, originally published by Vertigo, cover dated May 1999. I didn’t know a whole lot about the series, and I didn’t yet know much about the creators, writer Ed Brubaker, pencil artist Michael Lark, and inker Sean Phillips. Like a lot of comic fans, over the next few years I would get to know plenty about them, but at this point, I knew what I read in PREVIEWS and what my friends at DC Comics told me. That’s it.

Unlike the standard comic book size hardcover Nexus Archives or the 9” x 6” softcover Nexus Omnibus collections from Dark Horse, this new 888-page omnibus is presented in the oversized, 11” x 8” hardcover format familiar to fans of Marvel’s and DC’s omnibus editions.