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Black Canary is the superhero moniker that has been used by two women in DC comics. The first was Dinah Drake...
An extremely rare G.I. Joe vehicle, key Transformers figures, and popular Teenage Mutant Ninja Turtles figures are among...
Unlike the standard comic book size hardcover Nexus Archives or the 9” x 6” softcover Nexus Omnibus collections from Dark Horse, this new 888-page omnibus is presented in the oversized, 11” x 8” hardcover format familiar to fans of Marvel’s and DC’s omnibus editions.
In Batman: The Killing Joke (1988), Alan Moore and Brian Bolland explored Joker’s origin, suggesting that he was a failed comedian who became Red Hood. Having escaped from Arkham, he shows up at Commissioner Gordon’s home and when Barbara, his daughter, answers the door Joker shoots her. What follows is sadistic madness that illustrates the depths of Joker’s depravity and twisted sense of humor.
While the title of this issue is a bit misleading – it is distinctly not a true facsimile edition – it’s nonetheless fantastic to see this wonderful story back in print. The volume of Marvel Team-Up began in 2005 had a number of really inviting issues, Marvel Team-Up #14 was and remains the cream of the crop for that 25-issue run.
Unlike their science fiction- and horror-themed anthologies, Alien Worlds and Twisted Tales, which were produced by Bruce Jones, Vanguard Illustrated was produced in-house at Pacific Comics. Edited by David Scroggy, who would later become very well known at Dark Horse Comics, this anthology was about upcoming creators, and often mixing that new talent with established professionals.
Disney Villains: Gaston is written by Greg Pack and Fred Van Lente, the duo behind Incredible Hercules, who have captured both the comical and vile aspects of Gaston.
Launched in 2025, Comics A-Z podcast (on Podbean and Apple) is a weekly program that showcases the history of sequential art...
In the 1970s, General Mills developed a brilliant new combination of cereal flavor and box art based on classic monsters...
Here’s the latest installment of Maggie Thompson’s ongoing look at important beginnings, middles, and ends, this time for March 6-12, 2026…