Moony for Moon Mullins
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ne’er-do-well pals, we’re just moony for Moon (short for Moonshine) Mullins.
And, as a matter of fact, 2003 marks 80 years since Frank Willard’s cigar
puffing, derby sporting leisure lover debuted in the Chicago Tribute
Syndicate back in 1923. He went on to enjoy a career that spanned nearly
seven decades – a feat that we think deserves some recognition. So, let’s take a
closer look at the one and only Moon Mullins.
Moon was a tough talking –
if generally good natured – kind of guy who took (and dealt) plenty of punches
during his run. And actually, those are very appropriate characteristics. See,
back before Moon was created, Frank Willard was working on a strip called The
Outta Luck Club for King Features Syndicate. That’s when he got the
notion that some of his ideas were being slipped to fellow cartoonist George
McManus. So, in typical Moon Mullins fashion, Willard approached McManus and
gave him a wallop that knocked the latter out cold and got the former fired.
That little episode didn’t stop Captain Joe Patterson’s interest from
being piqued, however, and Willard soon set to work on a new strip for the
Chicago Tribune Syndicate. That strip was Moon Mullins. Just a few
months later, Ferd Johnson came on as Willard’s assistant. It was he who
continued the strip after Willard’s death in 1958, and saw it through until it
ended in 1991.
Ah, Moon Mullins. He made a horrible role model but a
hilarious star nonetheless – as did his assorted pals. First, there was the
lanky, beak-nosed Emmy Schmaltz, who ran the boarding house where Moon and many
of his cohorts lived and played. There was also Moon’s kid brother Kayo, a tiny
little doink of a boy who looked exactly like a pint-sized Moon, save for his
eyes. While Moon had giant eyes that resembled fried eggs (in fact, in many
strips, he was even called “banjoeyes”), Kayo had tiny little dots for eyes.
Full of mischief and bad grammar, Kayo was about as adorable as they came. There
was also Mamie, the portly, scraggly-haired boarding house cook, Willie, her
equally portly and horrendously lazy husband, the distinguished Mr. Otho Pumpkin
and his bully of a brother-in-law Louie, and the prim Englishman Lord
Plushbottom (or Plushie, as Moon liked to call him).
Adventures
included stints in jail, trysts with stolen cars, failed employment
opportunities, misunderstandings and plenty of black eyes for all. Yet, there
was a certain lightness to all of Moon’s debaucheries that made his low-down
ways pretty charming. Moon went on to make his mark in comic books, Big Little
Books, and even a 1927 board game. He had a brief run with Saturday morning
cartoons in the early 1971, and continued in the newspapers for 20 years after
that.
Today, Moon Mullins strips and original Willard art can still be
found, but are on the rare side and are highly valued. For fans who like the
dark side, however, a trip to the small Illinois town of Anna may be worthwhile.
There, on Frank Willard’s tombstone in the Anna Cemetery, there’s actually an
engraving of Moon Mullins!
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Lovely.<br><br><br></div>
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Nicholson in <i>Anger Managemend 1983. And while Moores’ death in 1986 marked the end of an era for i Gasoline Alleyi0 , it didn’t spell the end of the strip. His assistant, Jim Scancarelli took over, won yet another Reuben Award in 1989, and is behind the ongoing saga of the family to this day. His keen respect for the strip’s past, coupled with his ability to weave tales that have a modern interest, make i Gasoline Alley i0 so noteworthy - and enjoyable - today.
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