
ComicConnect Launches Event Auction 67
ComicConnect’s Event Auction 67 is now open for bids, featuring vintage comics and original art.
Auction highlights include Fantastic Four #48 9.9 with the debut of Galactus and the Silver Surfer, Wonder Woman #1 8.5, and a colorful Detective Comics #1 4.5. There’s a rare copy of the history-making All-Negro Comics #1, and Spider-Man major keys Amazing Fantasy #15 and Amazing Spider-Man #1.
There’s also Wonder Woman’s first appearance in All Star Comics #8 and the Amazon’s first cover in Sensation Comics #1. Other Golden Age rarities are Master Comics #10 9.8 and Human Torch #9 9.6, the Timely action of All Winner Comics #3, and the Joker’s origin in Detective Comics #168.
Marvel milestones include Iron Man’s intro in Tales of Suspense #39, Hulk’s debut in Incredible Hulk #1, the Fantastic Four’s first appearance in Fantastic Four #1, Doctor Doom’s debut in Fantastic Four #5, and Marie Severin’s wild battle cover for Silver Surfer #15 9.8. High grade Bronze Age Marvel keys like Wolverine’s introduction in Incredible Hulk #181 and Blade stepping out in Tomb of Dracula #10 are also offered.

Event Auction 67’s selection of original art, includes Frank Miller’s Batman for a Dark Knight Returns store display, Dave Cockrum introducing Storm to the Sentinels in X-Men #98, Steve Epting’s epic cover for 2005’s Captain America #19, and Jack Kirby featuring a wild Frightful Four battle from Fantastic Four #42.
Paul Smith ventures into the Hellfire Club for X-Men #169, and there’s more classic Kirby as Batroc teams up with Captain America in Tales of Suspense #85. Steve Ditko and Don Heck add their talents to a Kirby page from Tales to Astonish #50, and Golden Age icon Bill Everett depicts a brawling Prince Namor in Tales to Astonish #87.
The auction also contains Modern Age mastery with Matt Webb coloring a major Hellboy spread by Mike Mignola from John Byrne’s Next Men #21, plus wild works from Ryan Brown and a selection of Bill Sienkiewicz’s best, and even comic strips by Charles Schulz and Frank Frazetta.
Popular Topics
Overstreet Access Quick Links

ComicConnect Launches Event Auction 67
ComicConnect’s Event Auction 67 is now open for bids, featuring vintage comics and original art.
Auction highlights include Fantastic Four #48 9.9 with the debut of Galactus and the Silver Surfer, Wonder Woman #1 8.5, and a colorful Detective Comics #1 4.5. There’s a rare copy of the history-making All-Negro Comics #1, and Spider-Man major keys Amazing Fantasy #15 and Amazing Spider-Man #1.
There’s also Wonder Woman’s first appearance in All Star Comics #8 and the Amazon’s first cover in Sensation Comics #1. Other Golden Age rarities are Master Comics #10 9.8 and Human Torch #9 9.6, the Timely action of All Winner Comics #3, and the Joker’s origin in Detective Comics #168.
Marvel milestones include Iron Man’s intro in Tales of Suspense #39, Hulk’s debut in Incredible Hulk #1, the Fantastic Four’s first appearance in Fantastic Four #1, Doctor Doom’s debut in Fantastic Four #5, and Marie Severin’s wild battle cover for Silver Surfer #15 9.8. High grade Bronze Age Marvel keys like Wolverine’s introduction in Incredible Hulk #181 and Blade stepping out in Tomb of Dracula #10 are also offered.

Event Auction 67’s selection of original art, includes Frank Miller’s Batman for a Dark Knight Returns store display, Dave Cockrum introducing Storm to the Sentinels in X-Men #98, Steve Epting’s epic cover for 2005’s Captain America #19, and Jack Kirby featuring a wild Frightful Four battle from Fantastic Four #42.
Paul Smith ventures into the Hellfire Club for X-Men #169, and there’s more classic Kirby as Batroc teams up with Captain America in Tales of Suspense #85. Steve Ditko and Don Heck add their talents to a Kirby page from Tales to Astonish #50, and Golden Age icon Bill Everett depicts a brawling Prince Namor in Tales to Astonish #87.
The auction also contains Modern Age mastery with Matt Webb coloring a major Hellboy spread by Mike Mignola from John Byrne’s Next Men #21, plus wild works from Ryan Brown and a selection of Bill Sienkiewicz’s best, and even comic strips by Charles Schulz and Frank Frazetta.







