And Apparently, UPN Isn’t the Only One.
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can hold the WB no less suspect for its “aggressive bidding and winning” of the
rights to remake the ’60s classic, Lost in Space.
We know that
the network’s teen melodramas have run their course. Not since the early seasons
of Dawson’s Creek, Felicity and Everwood have the WB’s
non-sci-fi-teen ventures generated any promising buzz or noteworthy ratings. And
with the advent of its hit Smallville, we guess they’ve concluded that
the sci-fi blend formula hits the mark a bit more often than shows that too
closely resemble the day-to-day minutiae of young viewers.
But the
blatant recycling of old hits has got to stop. We don’t want a hasty rehashing
of the old. We’d much prefer some originality from within the ranks of the new.
To carbon-copy a plot is not a nod to nostalgia. The recycling of ideas
(especially at this rate of recurrence among the networks) does more to erode
the fond fibers of our past than to celebrate them. After all, what will your
12-year-old most remember about your favorite old shows–the original versions,
many of which re-air on TV Land long after their bedtimes, or the oft-defunct
newer versions with guest appearances from their favorite, fly-by-night pop
stars?
ok ages
defined?<br><br>Using the example of <i>Showcase #4</i>, here is a comic that is
widely acknowledged as the start of the Silver Age. But isn’t it really only the
start of Silver Age for DC? Didn’t Marvel lag until <i>Fantastic Four #1</i>?
Doesn’t that make the beginning of the Silver Age stretch over months instead of
tying it to one particular issue? <br><br>Or does it? <br><br>Ever since we
invited feedback on this issue, the e-mail around the Gemstone offices has been
filled with the detailed, well thought out, passionate writings of enthusiastic
fans. It’s made for some terrific, thought-provoking reading. (And if you’d like
to join in, please drop us a line at <A
HREF=”mailto:feedback@gemstonepub.com”>feedback@gemstonepub.com</A>
with the ”Comic Book Ages” in the subject line.)<br><br>We believe that all of
the key books that we use to define comic book ages are a result of editorial
and publishing decisions. By that, we’re suggesting that that is not merely some
randomly wonderful content, but that some change has occurred behind the scenes
to precipitate the change we