Like Iron Fist, though, Power Man was a title with a small but loyal following. It enjoyed a run of 32 more issues, good but not enough of one to keep it going, at least not on its own. So following Power Man #49 (February 1977), another issue guest starring Iron Fist, the April 1977 issue arrived as Power Man and Iron Fist #50.

Month in and month out, Geiger continues to be one of the – if not the single best – regular comic books on the market. The quality of all the material coming out from Geoff Johns and company’s Ghost Machine Productions is laudable, but there’s something special about this series. Inventive, intriguing, and packed with twists and turns, it’s tightly written by Johns and beautifully illustrated by Gary Frank.

The Loose End by Dave Dwonch, artist Travis Hymel, and colorist Geraldo Filho is like the best over the top, ridiculous action movies. Improbable scenarios, unwinnable odds that are repeatedly defied, and characters pulling survival skills out of nowhere.

In 1987 Mike Baron, the co-creator of Nexus, teamed up with artist Mitch O’Connell for the original graphic novel The World of Ginger Fox...

The latest jumbo digest starts with a tale about Wilbur and his delicious homemade popcorn. Archie, Reggie, and Dilton fall for the new lifeguard, and then when Archie gives Betty a trinket at a carnival, rumors fly about the nature of the gift.

One of the most clichéd phrases in the history of clichéd phrases is “It doesn’t get any better than this,” but serious, it really doesn’t get much better than Walter Simonson’s cover for Batman #366

Writer-artist Howard Chaykin’s adaptation of John Benteen’s 1976 western novel Fargo is the first of a proposed series, and if they all have the energy and spirit of this one, it’s going to be a very fun ride.

Plague House started out as a story about three ghosthunters investigating a house where the father had killed his entire family. But this isn’t a four or five-issue story set inside that house. It’s becoming much more complex.

Rai the History of the Valiant Universe #1 is the perfect starting point for someone unfamiliar with their titles. Valiant’s comics are entrenched in history, they are complicated, and sometimes intertwined.

The Terminator comic has seen the killer machines travel back to many significant moments in US and world history. One was sent to the Vietnam War, one infiltrated a Russian submarine in 1961, and another made its way into space on the first Apollo mission that same year. Most recently, a Terminator traveled to a concentration camp in World War II.

You practically need a scorecard to keep up with all the characters packed into this action-filled issue as the “Hush 2” storyline by writer Jeph Loeb, pencil artist Jim Lee, inker Scott Williams, and colorist Alex Sinclair continues.

With his chalk-white skin, the giant red circle in the middle of his chest, and his nanite-given ability to regenerate, Bloodshot has been one of the most visually iconic characters since his debut in the heady days of Unity and the original Valiant.